All or Nothing

​I have (at the time of you reading this) seven hundred and ninety two albums in my collection, with a spattering of around a hundred singles. Let us concentrate on the albums. The range is incredibly eclectic, rather like some calamity has happened in a record shop and no one's cleaned up yet. ​

Quite a lot of people are amazed at the amount, but to me, rummaging for these glorious discs of delight, is something I've always done and is no different to you spotting a book by an author you like or something else entirely. I say 'something else entirely' as I've realised that no one really collects things any more. Certainly not as it used to be. Yes there are still the extremists whether they're camped in Doctor Who or sports footwear, but with everything now either online or available at the click of a remote, gone are the days of physically buying anything and sadly music is, and still remains, its most prominent example.

If you're reading this with one ear on Spotify, while I will be turning a kind blind eye (more on that in another blog) you will be laughing at how stupid a statement like that is, as you can certainly get way over the seven hundred and ninety two albums I have. But they're just the songs and that's my point. There's no album art, no mysterious sleeve notes to ponder over and most importantly, you're not listening to it as it is designed to be heard. This isn't necessarily to do with it being on vinyl, more about who is singing or playing, as it was their choice where that song should sit on the album; what it will sound fantastic to follow, or more importantly, what to begin with. You don't get any of that and have completely ignored the point of them making that record.

Everything is contextual so if it's buried in a play list or presented to you via a logarithm, then you're clearly not showing that singer or band the respect they are due. From the painstaking ponder over the exact words to say, to the gruelling sweat over nailing that chord. That's even before they recorded it.

I'm certainly not saying there's never any room for a playlist, but compared to the original home of that song, it's like telling Mr Holmes that you don't need a poo. Also, where's the Chase? Not the tv programme, but the actual hunting down of that record, where the hunter finally gets their game, whether its finally spotted in a dusty crate or excitedly unwrapped at Christmas. While my taste is incredibly wide, I'm a massive Sixties and Seventies freak, so I get to hunt properly; looking for musicians who could only record for Vinyl, who, when spotted entrapped and captured (most records come quietly) is played on the equipment of the time.

While I do have technology that goes past nineteen seventy eight (I don't write this with a quill) it really should sound like it was supposed to sound. Obviously with the records I like its been quite a few years since they were brand new, but no ones record collection is ever pristine, as we've all had that clumsy knock as we put it on or get up to skip the next one as it's too scratched. It's all part of your collection, and if you never experienced that, then I can only assume that you were the one that kept the box the toy came in.

It's all about the music, and can be perfectly summed up by John Peel's defence of Vinyl over CDs (remember them?). When challenged over the better quality, he said “Listen mate, life has surface noises.” These 'marks', whether on the record or the album's artwork, are the marks of lives left behind are what I love, whether it's the original owner's name or their insistence to rate each song and list its length (again, more on that in another blog)

John Peel would have been eighty yesterday (see 'celebratory' podcast) and so if you don't agree with anything I have said, then you're upsetting him. That's all I'm saying. After all, his memory hasn't faded out gently.